Aug 28, 2020 Final Cut Pro X is a professional non-linear video editing tool. Due to its exceptional performance, this software has earned numerous awards all over the world. Apple Inc develops final Cut Pro X Crack. Quite famous for providing its users top-notch IT products. Final Cut Pro X is also an example of that. Final Cut Pro 10.4.8. Released December 10, 2019. Prevents an issue that could lead to visual artifacts appearing on a Mac with an Nvidia graphics card that has the Reduce Transparency accessibility preference turned on. Download Apple Final Cut Pro X 10.4.10 MacOS Download Apple Final Cut Pro X MacOS Mojave Full Version – menampilkan koleksi fitur baru yang canggih untuk editor profesional. Antarmuka yang sangat sederhana memaksimalkan ruang kerja pada tampilan apa pun.
- Apple Final Cut Pro X 10.3.2 Full Version For Mac High Sierra
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Final Cut Pro X 10.3.2 Multilangual | MacOSX | 2.92 Gb
Completely redesigned from the ground up, Final Cut Pro adds extraordinary speed, quality, and flexibility to every part of the post-production workflow.
Revolutionary Video Editing
– Assemble clips in the Magnetic Timeline without clip collisions or sync problems
– Use Clip Connections to attach B-roll, sound effects, and music to the timeline
– Reduce clutter by grouping clips into a Compound Clip.
– Perfect your pacing right in the timeline with the Inline Precision Editor
– Cycle through different shots, graphics, or effects at one place in the timeline with Auditions
– Edit multi-camera projects with automatic sync and support for up to 64 camera angles
– Assemble clips in the Magnetic Timeline without clip collisions or sync problems
– Use Clip Connections to attach B-roll, sound effects, and music to the timeline
– Reduce clutter by grouping clips into a Compound Clip.
– Perfect your pacing right in the timeline with the Inline Precision Editor
– Cycle through different shots, graphics, or effects at one place in the timeline with Auditions
– Edit multi-camera projects with automatic sync and support for up to 64 camera angles
Powerful Media Organization
– Organize your work within libraries for efficient media management and collaboration
– Work natively with a broad range of formats including RED, AVCHD, H.264 from DSLRs, and more
– Content Auto-Analysis captures camera metadata and analyzes shots in the background
– Create and apply custom keywords on the fly as you select ranges in clips
– Smart Collections let you dynamically organize content and find any shot in a few clicks
– Organize your work within libraries for efficient media management and collaboration
– Work natively with a broad range of formats including RED, AVCHD, H.264 from DSLRs, and more
– Content Auto-Analysis captures camera metadata and analyzes shots in the background
– Create and apply custom keywords on the fly as you select ranges in clips
– Smart Collections let you dynamically organize content and find any shot in a few clicks
Incredible Performance
– Final Cut Pro uses all the GPUs in your Mac for superior real-time playback performance and fast background rendering
– 64-bit architecture uses all the RAM in your system for larger projects and richer effects
– Background processing lets you keep working without interruption
– External monitoring lets you route video and audio through HDMI or third-party Thunderbolt and PCIe devices
– Final Cut Pro uses all the GPUs in your Mac for superior real-time playback performance and fast background rendering
– 64-bit architecture uses all the RAM in your system for larger projects and richer effects
– Background processing lets you keep working without interruption
– External monitoring lets you route video and audio through HDMI or third-party Thunderbolt and PCIe devices
Compelling, Customizable Effects
– Beautifully animated, easily customizable 2D and 3D titles
– Preview effects to see how they look with your footage before applying them
– Change the look of titles, transitions, and effects using intuitive controls
– Control effects with precision using a keyframe editor that appears directly in the timeline
– Use third-party FxPlug plug-ins with custom interfaces and dual-GPU support
– Beautifully animated, easily customizable 2D and 3D titles
– Preview effects to see how they look with your footage before applying them
– Change the look of titles, transitions, and effects using intuitive controls
– Control effects with precision using a keyframe editor that appears directly in the timeline
– Use third-party FxPlug plug-ins with custom interfaces and dual-GPU support
Integrated Audio Editing
– Expand and edit multichannel audio files directly in the timeline
– Let Final Cut Pro repair significant audio problems such as hum, excessive noise, and more
– Sync DSLR video with separate audio in a single step, with instant audio waveform matching
– Expand and edit multichannel audio files directly in the timeline
– Let Final Cut Pro repair significant audio problems such as hum, excessive noise, and more
– Sync DSLR video with separate audio in a single step, with instant audio waveform matching
Intuitive Color Grading
– Improve the look of any clip with the single-click Balance Color feature
– Apply the Match Color feature to match the looks of two clips shot under different conditions
– Manipulate color, saturation, and exposure with the Color Board
– Fine tune color for a specific color range or area of the screen using keying and masks
– Improve the look of any clip with the single-click Balance Color feature
– Apply the Match Color feature to match the looks of two clips shot under different conditions
– Manipulate color, saturation, and exposure with the Color Board
– Fine tune color for a specific color range or area of the screen using keying and masks
One-Step, Optimized Output
– Deliver projects for playback on Apple devices and websites such as Vimeo, YouTube, and Facebook
– Use themed menus to quickly author and burn a DVD or Blu-ray disc
– Export customized audio stems and multiple versions of a finished video using Roles metadata
– Import and export XML to support third-party workflows
– Deliver projects for playback on Apple devices and websites such as Vimeo, YouTube, and Facebook
– Use themed menus to quickly author and burn a DVD or Blu-ray disc
– Export customized audio stems and multiple versions of a finished video using Roles metadata
– Import and export XML to support third-party workflows
Whats New in Version 10.3
New Interface
– Redesigned dark interface puts the focus on your video
– Configure window layouts into custom workspaces for tasks like organizing and color grading
– Fill a second display with the timeline or hide the timeline completely
– Expand the Inspector to full-screen height
New Interface
– Redesigned dark interface puts the focus on your video
– Configure window layouts into custom workspaces for tasks like organizing and color grading
– Fill a second display with the timeline or hide the timeline completely
– Expand the Inspector to full-screen height
Magnetic Timeline 2
– Color coding of clips based on roles such as dialogue, music, and effects lets you understand your project at a glance
– Create, assign, and customize the colors of roles to identify different types of audio and video clips
– Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
– Focus button in the Timeline Index lets you highlight specific audio roles and collapse all others
– Show Audio Lanes button in the Timeline Index displays a structured timeline layout with dedicated spaces for each audio role
– Add audio effects and keyframe audio volume changes to an entire role within a Compound Clip
– iXML support enables automatic creation and assignment of roles based on metadata from an audio field recorder
– Create and manage a unique set of roles for each Final Cut Pro library
– Color coding of clips based on roles such as dialogue, music, and effects lets you understand your project at a glance
– Create, assign, and customize the colors of roles to identify different types of audio and video clips
– Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
– Focus button in the Timeline Index lets you highlight specific audio roles and collapse all others
– Show Audio Lanes button in the Timeline Index displays a structured timeline layout with dedicated spaces for each audio role
– Add audio effects and keyframe audio volume changes to an entire role within a Compound Clip
– iXML support enables automatic creation and assignment of roles based on metadata from an audio field recorder
– Create and manage a unique set of roles for each Final Cut Pro library
Wide Color
– Images are now viewable in wide color on supported Mac computers and external displays
– Import, edit, and deliver video in standard Rec. 601 and Rec. 709 color spaces, or in wide Rec. 2020 color space
– Configure color spaces for both libraries and projects
– Log footage from ARRI, Blackmagic Design, Canon, Panasonic, and Sony cameras, as well as RED RAW footage, can be manipulated in real time while preserving wider color
– Range check overlay in the viewer highlights areas out of the standard RGB range
– Video scopes display wide color in real time
– Images are now viewable in wide color on supported Mac computers and external displays
– Import, edit, and deliver video in standard Rec. 601 and Rec. 709 color spaces, or in wide Rec. 2020 color space
– Configure color spaces for both libraries and projects
– Log footage from ARRI, Blackmagic Design, Canon, Panasonic, and Sony cameras, as well as RED RAW footage, can be manipulated in real time while preserving wider color
– Range check overlay in the viewer highlights areas out of the standard RGB range
– Video scopes display wide color in real time
Support for the Touch Bar on MacBook Pro
– Tap to execute common functions like volume control, fade in and out, and media import
– Easily access advanced editing commands, including Override Clip Connections, Trim to Start, and Trim to End
– View your entire project at a glance and navigate with touch in the timeline overview
– Tap to execute common functions like volume control, fade in and out, and media import
– Easily access advanced editing commands, including Override Clip Connections, Trim to Start, and Trim to End
– View your entire project at a glance and navigate with touch in the timeline overview
More Video Formats
– MXF-wrapped Apple ProRes provides a flexible new format for broadcast delivery
– MXF master file export uses audio roles to configure industry-standard channel layouts
– Support for Canon Log2/Cinema Gamut and Panasonic V-Log
– Support for Sony XAVC-L at 4K for the Sony PXW-FS7 and PXW-X70 cameras
– Playback support for Panasonic AVC-Intra LT
– Export AVC-Intra files
– MXF-wrapped Apple ProRes provides a flexible new format for broadcast delivery
– MXF master file export uses audio roles to configure industry-standard channel layouts
– Support for Canon Log2/Cinema Gamut and Panasonic V-Log
– Support for Sony XAVC-L at 4K for the Sony PXW-FS7 and PXW-X70 cameras
– Playback support for Panasonic AVC-Intra LT
– Export AVC-Intra files
Additional Features
– Flow transition seamlessly merges jump cuts to remove pauses or mistakes in on-camera interviews
– Remove Effects and Remove Attributes commands let you delete specific effects from clips
– SMB 3 network support enables library access on network-attached storage devices
– Timecode effect displays clip name and source clip timecode in the Viewer and in exported files
– Copy and paste timecode to speed up numerical entry from text documents
– Consolidate custom Motion projects into individual Final Cut Pro libraries
– Option for continuous playback of clips in the Browser
– Search custom metadata in the Browser and Timeline
– Search Timeline Index for Auditions, Compound clips, Multicam clips, and Synchronized clips
– Ability to roll trim on adjacent anchored clips
– Larger Media and Content browsers provide more space for viewing photo libraries, sound effects, music, titles, and generators
– Skim and select ranges of audio files in the Music and Sound Effects browser
– Use a Thunderbolt cable for direct A/V output to an external display, without the need for a separate I/O device
– XML 1.6 supports role-based audio components for Magnetic Timeline 2
– Enhanced XML support lets you import projects and clips into existing events
– Ability to drag and drop clips, projects, and events as XML with supported applications
– Flow transition seamlessly merges jump cuts to remove pauses or mistakes in on-camera interviews
– Remove Effects and Remove Attributes commands let you delete specific effects from clips
– SMB 3 network support enables library access on network-attached storage devices
– Timecode effect displays clip name and source clip timecode in the Viewer and in exported files
– Copy and paste timecode to speed up numerical entry from text documents
– Consolidate custom Motion projects into individual Final Cut Pro libraries
– Option for continuous playback of clips in the Browser
– Search custom metadata in the Browser and Timeline
– Search Timeline Index for Auditions, Compound clips, Multicam clips, and Synchronized clips
– Ability to roll trim on adjacent anchored clips
– Larger Media and Content browsers provide more space for viewing photo libraries, sound effects, music, titles, and generators
– Skim and select ranges of audio files in the Music and Sound Effects browser
– Use a Thunderbolt cable for direct A/V output to an external display, without the need for a separate I/O device
– XML 1.6 supports role-based audio components for Magnetic Timeline 2
– Enhanced XML support lets you import projects and clips into existing events
– Ability to drag and drop clips, projects, and events as XML with supported applications
New in 10.3.2:
– Ability to add custom folders of audio files to the Sound Effects browser
– Using ripple delete on audio-only clips no longer disables the selected range
– Audio meters retain custom width after relaunch
– Improves responsiveness when editing very long projects
– Improves performance when exporting H.264 files and changing frame rate
– Exporting ProRes 4444 files with transparency using Compressor creates a correct alpha channel
– Fixes an issue in which adjusting the line spacing of multi-line titles only applied to the first line
– Fixes an issue in which secondary storylines with mixed roles could overlap in the timeline
– Fixes an issue that could prevent burning Final Cut Pro projects to DVD via Apple USB SuperDrive
– Ability to add custom folders of audio files to the Sound Effects browser
– Using ripple delete on audio-only clips no longer disables the selected range
– Audio meters retain custom width after relaunch
– Improves responsiveness when editing very long projects
– Improves performance when exporting H.264 files and changing frame rate
– Exporting ProRes 4444 files with transparency using Compressor creates a correct alpha channel
– Fixes an issue in which adjusting the line spacing of multi-line titles only applied to the first line
– Fixes an issue in which secondary storylines with mixed roles could overlap in the timeline
– Fixes an issue that could prevent burning Final Cut Pro projects to DVD via Apple USB SuperDrive
System requirements:
– OS X 10.11.4 or higher
– 4GB of RAM (8GB recommended for 4K)
– OpenCL-capable graphics card or Intel HD Graphics 3000 or later.
See. Minimum system on the official site
– 256MB of VRAM (1GB recommended for 4K)
– 3.5GB of disk space
– OS X 10.11.4 or higher
– 4GB of RAM (8GB recommended for 4K)
– OpenCL-capable graphics card or Intel HD Graphics 3000 or later.
See. Minimum system on the official site
– 256MB of VRAM (1GB recommended for 4K)
– 3.5GB of disk space
The installation procedure:
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Follow the recommendations below in the order in which they're listed until you've isolated or fixed your issue. Before proceeding, make sure to back up your Final Cut Pro libraries, media, and the Final Cut Pro application.
1. Restart your Mac
Restarting your computer resets Final Cut Pro-related system resources. To restart your Mac, choose Apple menu () > Restart, then reopen Final Cut Pro and try to reproduce your issue.
2. Disconnect external devices
An incompatible or malfunctioning external device can sometimes cause issues with Final Cut Pro. To test external devices:
- Shut down your Mac.
- Disconnect all external devices other than your keyboard and mouse.
- Reset NVRAM. You only need to do this the first time you disconnect external devices.
- Open Final Cut Pro and attempt to reproduce your issue. If your issue no longer occurs, reconnect devices one at a time until you can reproduce your issue. Make sure to restart your Mac after reconnecting a device, if the device requires it.
If the issue only occurs with a certain device connected, you might need to update or service the device. Contact the manufacturer for support.
3. Check Final Cut Pro documentation
Check Final Cut Pro Help to make sure Final Cut Pro is working as expected. You can search Final Cut Pro Help for key terms shown in alerts, alert icons, or error messages.
4. Check system requirements
Make sure your Mac meets Final Cut Pro system requirements.
5. Update Final Cut Pro
Before you update, back up your existing libraries and your current copy of the Final Cut Pro application. This allows you return to the previous state your files and the application were in if updating does not address the issue.
To make sure you're using the latest version of Final Cut Pro, choose Apple menu () > App Store, then click Updates in the toolbar. If a Final Cut Pro update is available, you can click the Update button to download and install it.
Make sure that you're also using the latest version of macOS and that your Mac firmware is up to date. Back up your Mac before you update macOS.
6. Verify installation of Pro Video Formats
7. Check media and device compatibility
Make sure you're using a compatible media format, device, and external storage device format. Contact the manufacturer of the device(s) for support. If a software update for the device is available, follow the manufacturer's instructions to update firmware for devices like cameras and external storage devices, or to update drivers for devices like interfaces.
8. Check software compatibility
If you're using a plug-in or other software not made by Apple with Final Cut Pro, make sure it's compatible with your version of Final Cut Pro. Contact the manufacturer for support. If an update is available, follow the manufacturer's instructions to update the software.
9. Try using another user account
Create another user account on your Mac, then try to recreate the issue in the new user account. If the issue doesn't occur in the new user account, settings or files in the original account might be causing the issue.
10. Test with a new library and project
Create a new library and project, and try to reproduce the issue using known-good media, which is media you've used successfully in other projects. If you can't reproduce the issue using known-good media, the issue might be related to the media in the affected project. Obtain new copies of the media from the original source.
If you don't have known-good media available, you can create some using a placeholder and a sound effect from Final Cut Pro Additional Content.
11. Reset Final Cut Pro preferences
Resetting preferences doesn't affect your libraries, projects, or media. However, any custom preference settings will be reset to their default settings.
Before resetting preferences, choose Final Cut Pro > Preferences and note any specific settings you've made. Learn more about Final Cut Pro preferences.
To reset preferences in Final Cut Pro 10.3 or later:
- Quit Final Cut Pro.
- Hold down the Command and Option keys, then open Final Cut Pro.
- Click Delete Preferences.
- Try to reproduce the issue you were experiencing. If the issue no longer occurs, open Final Cut Pro preferences and reapply your custom settings.
Apple Final Cut Pro X 10.3.2 Full Version For Mac High Sierra
12. Remove and reinstall Final Cut Pro
To remove and reinstall Final Cut Pro:
Apple Final Cut Pro X 10.3.2 Full Version For Mac Free
- In the Finder, choose Go > Applications.
- Locate Final Cut Pro and drag it to the Trash.
- Reinstall Final Cut Pro from the App Store, or restore it from a backup. When restoring a copy of the Final Cut Pro application from a backup, you can either drag it from its storage location to your Applications folder or restore Final Cut Pro from Time Machine backups.